Lee Henderson www.noattainment.com

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  • "To Step From Shadow Into the Warmth of the Sun" (installation view, detail) - pictured: one of three metronomes in the space, hacked to run silently
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018)
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018)
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018)
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018)
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018)
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018) - detail of "What Time Is It on the Sun?"
  • "To Step From Shadow Into the Warmth of the Sun" (installation view, Gallery44, Scotiabank CONTACT Photography Festival 2018 - detail of "What Time Is It on the Sun?"

To Step From Shadow Into the Warmth of the Sun

2018 — Multimedia installation

Produced in residency at Samband Islenskra Myndlistarmanna, Reykjavik

Curated by Leila Timmins for Gallery44; Primary Exhibition, CONTACT Festival of Photography, Toronto, 2018

This project navigates between histories, habits, and familiar checkpoints within landscape photography. Taking inspiration from the Icelandic landscape while on residency there in 2016, I nevertheless found myself ambivalent toward photographing it. I have heard here that it is impossible to take a bad photograph of Iceland; this is quite possibly true, but sounds to me like a dare. Photography as a once-specialized medium is struggling to redefine its identity in the midst of its own ubiquity; the 'idea' of Iceland, meanwhile, is also in existential tumult, as tourism explodes and a digitally imaged (read: romanticized, aestheticized, selective) Iceland circulates ever more prominently online.

'To Step From Shadow...' takes cues from the island nation to push us off-road into an interrogation of the mimetic impulse. Its objective is to unearth the ontological consequences of The Travelogue by challenging its bedrock assumptions, namely that presence is representable; that experience is communicable; and that it is possible to quantify of temporal processes that have no locatable beginning or end.

Component works:

'Forecasts [the page is but a mirror]'

'Northern Epic'

'Untitled (The Deluge)'

'What Time Is It on the Sun?'